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The cover was during a time when Wonder Woman gave up her powers and lived as Diana Prince, a normal human with no super powers who ran a Mod-clothing boutique, fighting crime in her spare time. This version of Wonder Woman was a thinly veiled imitation of Mrs. Emma Peel from The Avengers. The cover is attributed to Mike Sekowsky and Dick Giordano.
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I drew the title by hand as I couldn’t find a font that matched, and I thought it looked kind of interesting on its own, very late sixties early seventies. Most of the stuff I did was to streamline the cover, make it less busy. I gave it more of a pulp novel feel that I thought it needed. Though I liked the rendition, I thought I could do a bit better.
I drew a second version with a slightly different composition and further removed information, just the figure and implied shadow of the gunman. I feel this is a better representation of my style than that of my first try. I stylized the cover a bit more with a shortened price and issue number box, a new font for the title and a modified barcode. If you scan the barcode, it would have all the publishing information. I felt the painted target on her back wasn’t enough, so multiple targets replaced it. The dirty framed edges are something I’ve been using in my other art for sometime now, it works for this.
Though my version of Wonder Woman is not as easily recognizable as popular renditions of her with the red white and blue outfit, it does fit with the feel of this particular era of the book. By issue #203, the “Women’s Lib Issue”, it was the end of the Diana Prince era and in issue #204, Wonder Woman went back to the traditional look that carries on till today.
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